![]() ![]() The box office failure of The Rescuers Down Under and DuckTales the Movie: Treasure of the Lost Lamp, coupled with the success of both The Little Mermaid and Beauty and the Beast is the reason why almost every animated movie throughout the 1990s was a musical (this was at a time when practically all animation was Disney, and movies by their competitors barely achieved the same level of attention).Even these, however, were not widely released in the United States. It wasn't until the late 2000s that the concept found a revival with works such as Persepolis and Waltz with Bashir. The Western audience wasn't ready at all, so the concept of dark, almost entirely un-comedic animated feature films was shelved in the aftermath. The Plague Dogs is known for being one of the most depressing animated films ever made.However, Serkis Folk mo-cap animation for live-action features is still very much alive. The failure of Mars Needs Moms resulted in the death of full-form motion-capture animation.Nowadays, the only traditionally animated movies being produced for the big screen are based on TV Shows, and even that is changing (eg, SCOOB! and The SpongeBob Movie: Sponge on the Run are CGI movies based on traditionally animated shows). The critical and commercial failure of Home on the Range was the final nail in the coffin for Hollywood-produced traditionally animated films, which were already experiencing diminishing returns as audiences gravitated toward CGI films.Nowadays, the only place the trend still remains is in Long Runner franchises aimed at children, whose dubs keep up the old practices (albeit to a reduced degree) more thanks to the Grandfather Clause than anything. After Naruto, most future dubs followed suit, and 4Kids, the main purveyors of this in the 2000s, started losing money hand over fist until they went bankrupt. This was further contrasted by the infamous 4Kids dub of its rival One Piece, which did all of the above and became a significant bomb. The dub of Naruto did only the bare minimum of edits, keeping names the same and sticking as close to the Japanese script as broadcast standards would allow (which was not only more accurate, but also much cheaper), and became a smash success, proving that such efforts weren't necessary. Prior to its creation, it was common for mainstream anime dubs to completely rewrite scripts, rename characters, edit down plot points, compose new music and sound effects, and do all manner of things to try to localize the series. The Viz Media dub of Naruto is often credited for ending the Dub-Induced Plotline Change as a strategy for anime distribution.Subsequent big shounen titles like Jujutsu Kaisen and Demon Slayer: Kimetsu no Yaiba all followed this format, while the former trend of adapting was left behind. My Hero Academia, in contrast, decided to make its anime adaptation seasonal, with once-a-year releases of a season adapting a group of arcs, which ended up better paced, better animated, and with almost no filler the format was also better suited for binge-watching, which had become popular by the time the anime came out. Prior to it, long-running shounen manga like Naruto and Bleach were aired non-stop while it kept the franchises always visible, the anime quality was never great and it resulted in a lot of filler arcs to ensure that they didn't overtake the manga. My Hero Academia: The anime adaptation was the nail in the coffin on the trend of continuous anime adaptations of shounen manga.Compare The Red Stapler for when a work of fiction inspires a trend in real life, and Baby Name Trend Killer for when a work makes a name fall out of favour. If you are still unsure, check this page to see what is considered a genre, and this page to see what is considered a trend.Ĭontrast Totally Radical, where creators try to implement (often outdated) trends in their works as an attempt to stay hip with the current audience.If the "Trend" can be described as a sub-genre, it probably fits under Genre-Killer.If your example concerns a Stylistic Trope, it falls under Genre-Killer.If it is based on Meta Concepts such as technologies and adaptations, it is a trend.If your example concerns a Narrative Trope, it falls here.While deciding whether an example falls under this or Genre-Killer, consider the following: Genres can be considered a type of trend, as their popularity can be cyclic and they are capable of defining eras. If it returns, it is experiencing a Popularity Polynomial, or else it is Condemned by History. Trends tend to be cyclic, which means that their popularity ebbs and flows. ![]()
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